Read more Lab Tests. RED Dragon vs Canon C500 Test. Camera News. This is the best result we have measured on a full frame sensor so far! What are your experiences with the Canon C500 Mark II so far? This gives a base exposure of 360° shutter at f4.0 at ISO800 (UHD 25fps) – our 0 stops under baseline (internal noise reduction “off” for all tests). Fichier RAW efficace sur CFexpress. Canon Log 2: 1600% / 15+ stops Canon Log 3: 1600% / 14 stops Wide DR: 800% (at ISO 400) Image Processor. 3: Canon C500 Mark II rolling shutter for 17:9 5952×3140: very good 15.8ms are measured. The Canon C500 Mark II Camera provides great support for optional interchangeable lens mounts for different project requirements. Oh, great to hear – you won’t be disappointed by your new baby! 8:09. We always use double opt-in, so please confirm your subscription by clicking on the link you will receive in an email after you hit "sign up". A strong 13.1 stops of dynamic range, the lowest ever measured rolling shutter of 15.8ms for a full frame sensor, and clearly showing what is possible at the underexposure test: using the internal 10bit UHD XF-AVC codec basically down to 5 stops underexposure the image is still usable when applying noise reduction in post. Canon C500 Mark II Lab Test: Dynamic Range, Latitude and Rolling Shutter. Read our full Privacy Policy here. After a week with the 1D X I noticed just how noisy the RAW footage is (and how clean compressed is!) Lens Mount. 198. by Sebastian Wöber. I use the Original Canon C500 with the CD raw recorder/monitor and have been happy with results. It’s ridiculous to have to bolt a mechanical contraption onto a lens for follow-focus, when the lenses have focusing motors built in. And if you don't like our newsletter, you can unsubscribe with a single click, the link is at the bottom of every newsletter. Fig. Playing next. The analysis consists of checking how the camera renders the gray patches. 7: The Canon C500 Mark II at 4 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. B4 mount lens via adapter accessory (EF or PL) Lens Magnification factor (for EF Mount lenses, including Cinema Primes) Full Frame: 5952 X 3140/4096 X 2160/2048 X 1080: … Fascinated by the new possibilities with small cameras. The EOS C500 Mark II features a 5.9K full-frame sensor with 60p recording 5.9K and 4K (2K recording at 120p) and 15 stops of dynamic range. Also own the BM4KPC (global shutter is nice) and BMCC 1080P but it is very difficult to blend the early BM cameras with the Canon. It is hard to define this cinema camera. Canon C500 Mark II 6K RAW Dynamic Range vs RED 8K Helium. 2019 has been a quiet year for Canon’s Cinema EOS lineup, with only the announcement of the long-awaited Cinema EOS C500 Mark II. Users also benefit from smooth, intuitive touch focus operation with the new 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull. EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke /i system. 4: base exposure of our studio scene for the Canon C500 Mark II, using CLOG2 with the internal XF-AVC 10bit codec at ISO800. 5: The Canon C500 Mark II at 3 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. Theoretically the result would be much better than the 5.9k full frame readout, correct? Surprisingly, using noise reduction in post production leads to an image you may still get away with – noise is rather finely dispersed and not too distracting (however, faint horizontal and vertical stripes are appearing) – see figure 9 below: Fig. That’s where lab testing is really helping. Can’t wait! The Nikon F6 film SLR camera is now officially discontinued, FilmConvert Releases Sony a7S III Camera Pack for Fast Film Stock Emulation, Stock Notice: Canon RF 85mm f/2 Macro IS STM in stock at Adorama, TDM Audio Pro UVC Case Disinfects Your Microphones, Today only: Save on the MFT Auto Extension Tube Set and Atomos SSD. However, the information we’ve received about this camera contradicts what we were told previously. Caractéristiques. Canon C300 Mark II Lab Test – Dynamic Range 2 Stops Less Than Expected. This test reveals a lot of insight about how well a camera (and the used codec) retains colors and detail. Fig. 9: The Canon C500 Mark II at 5 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. More or less the same holds true for the image in figure 6: at 4 stops under, pushed back to zero the image is still quite usable. The Canon C300 Mark II is here and comes with a lot of high expectations by customers and a hefty price tag of $16,000. It is pretty clear, according to Canon’s own estimation, the Canon C300 Mark III is clearly better in terms of dynamic range. Is there a test like this with the Varicam LT?? Check out the BTS clip: To make the story short, the Canon EOS C300 Mark III Digital Cinema Camera features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for HDR recording and low noise. © 2020 All rights reserved. The Cinema EOS C500 Mark II features Canon’s high-resolution 5.9K (38.1 x 20.1mm) Full Frame CMOS sensor, which offers exceptional low noise and a broad range of tonality with over 15 stops of dynamic range. Regarding the other cameras, would love to test these too – let’S see what we can do! Hoping Monstro VV, FX9, Venice, C700 FF & Alexa LF will make their way to the Lab at one point :D. Thank you Christopher for your nice comment! However, it remains to be seen if this holds over the entire spectrum of ISOs or if the C500 Mark II holds up better. The next-generation Super 35mm workhorse features a new Dual Gain Output (DGO) sensor and, like the full-frame EOS C500Mark II digital cinema camera, employs a modular design and an interchangeable lens mount optional accessory that allows users to easily customize the camera according to the needs of each project. A lot has been said and done on the Canon C500 Mark II already, for example by my colleagues Nino or Ollie here or here. DIGIC DV7. From the tests, it looks like the C300 Mark II is achieving that extra dynamic range by giving you extra stops in the shadows and mids. If you’re just using Canon still lenses then probably not. Latitude is the capability of a camera to retain detail and colors while over- or underexposing the image. Capteur CMOS plein format 5,9K. From there we successively underexpose the studio scene by increasing the shutter speed to 180°, 90°, 45°, 22.5° and finally 11.25° (5 stops underexposure). Please have a look at how we test dynamic range of cameras here. And you won’t be disappointed ;-). Fig. The EOS C500 Mark II features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF. Thanks. He also gave props to the fact that the Canon had internal ND filters and doesn’t need to be built out as much. Dear Pablo, no, we have not tested this camera yet. The newly developed 4K Super 35mm DGO imaging system captures high dynamic range content by reading out … Also would like to see the new BM12K when you can get one. Shortly after the publication of our Canon C500 Mark II lab test last week, we learned that we will gain early access to a pre-production Canon C300 Mark III in our headquarters in Vienna. And the Canon C500 Mark II does not disappoint – the results is almost perfect: very little noise is present, more as a fine grain which looks very good. The dynamic range of the C500 Mark II using the internal 10bit XF-AVC codec at UHD 25fps using Canon Log2 / C.Gamut (Color Matrix “Neutral”) shows a very strong 13.1 stops at a signal to noise ratio of 2, see figure 1 below (noise reduction “off”). Did you guys have a chance to test the rolling shutter in the 4K Super-35 mode? You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. If you’re using cine lenses or heavier zoom lenses then definitely yes. B4 mou… Can the Canon C500 Mark II really Compete with RED & ARRI Cinema Cameras_ carlosq00. Each pair represents 3.33ms. Will it take the crown in our lab tests? Thank you Dr. for the results! No spam, guaranteed! Is there a database for all your results? Interesting that you mention this noise reduction difficulty with the RAW files, I had a very similar experience and thought – a manufacturer’s “sensor noise footprint” which you could use in Resolve to make this easier. 2: Waveform plot of the Xyla21 stepchart from the Canon C500 Mark II at 25fps, UHD, 10bit XF-AVC codec (CLOG2 / C.Gamut) at ISO 800 – about 13 stops can be identified above the noise floor! Can you please test the Panasonic EVA1, too? What goes without saying is that in the hands of an expert the 6K RAW files provide even better flexibility in post, especially the heavily underexposed images. Dear Luka, no, we have not tested this. Secondly, the larger sensor … MTF Services Converts SIRUI 50mm and 35mm Anamorphic Lenses to L-Mount, Top 10 NikonRumors posts for November 2020, Tentacle Sync Track E Pocket 32-bit float Audio Recorder– Recording & Transmitting Audio, Will the Canon EOS R5s come with a pixel shift like feature? Thanks Rick. Using noise reduction in DaVinci Resolve (3 frames temporal, 15 threshold value and 5 spatial threshold) it cleans up OK – still noticeable are vertical and horizontal stripes, but you could get away with this image. Noise kicks in but it stays finely dispersed. RED Dragon vs Canon C500 Test. Step 12 looks even less useful and the half stop of 13 is not use able. And also Mini LF and especially Monstro would be really interessant see in comparison! The horror. 15:37. [CR2], GoPro Karma Drone – Controller Pairing Issues. Seems like we are jumping from one fantastic result to the next – the rolling shutter at 6K RAW (5952×3140, 17:9) comes in at a strong 15.8ms – see figure 3 below. Having tested now various mirrorless full-frame cameras for the last 2 years in our cinema5D lab, I was really curious to put a “real” cinema camera with a full-frame sensor through the paces one day. Elle produit ainsi des images d’un aspect cinéma réaliste, avec un effet d’immersion spectaculaire grâce au plein format et au savoir-faire de Canon en termes de rendu naturel, de douceur des tons chair et de fidélité des couleurs. And got the same result as with other recent raw cameras before: using plain raw without any postprocessing, the images are very noisy. Canon EOS C500 Mark II | Caméscope | Retrouvez toutes nos publications, meilleurs prix et bons plans, avis et actualités sur ce modèle. The chart consists of gray patches that show a well-defined and regularly re-measured luminance (in unit cd/m2). In addition, the newly introduced DIGIC DV 7 image processor allows for more fluid and efficient recording of 4K and HDR. Canon EOS C500 - IDIFF Salon de l'image animée - … The standard EF mount is non-locking. Very noisy, and horizontal as well as vertical stripes start to appear. As ususal, we exposed Nino’s face at max. Having tested now various mirrorless full-frame cameras for the last 2 years in our cinema5D lab, I was really curious to put a “real” cinema camera with a full-frame sensor through the paces one day. Surprisingly good however. The dynamic range is crazy, over 15 stops for sure. We have been told that the next cinema camera from Canon will be the Cinema EOS C300 Mark III. September 24 th, 2015. This day had finally arrived when the Canon C500 Mark II was available in the cinema5D headquarters earlier this year. Retour à la présentation du produit. Test Canon EOS C100 Mark II Par Arthur Azoulay , Focus Numérique ( @Lesnums ) Publié le 08/04/15 à 10h28 Mis à jour le 08/04/15 à 10h28 It will take a bit of time, but it will come…. The dynamic range of the C500 Mark II using the internal 10bit XF-AVC codec at UHD 25fps using Canon Log2 / C.Gamut (Color Matrix “Neutral”) shows a very strong 13.1 stops at a signal to noise ratio of … Filmmaker Brett Danton. Dear Anthony, we try to test as many cameras as possible – with a preference to test the latest cameras on the market as testing takes a lot of time. I know many existing workflows are not using RF, but Canon’s own brilliant RF to EF adaptors solve 99% of these issues. Fig. And if so would it be possible to have in practice a Noise Reduction ‘LUT’ so to speak from manufacturers? Report. Fig. I would rate this camera close to 10 and change stops based on the XYLA. Fixed! The waveform of the Xyla21 stepchart confirms this: Fig. Because they want to sell you $5000 cinema lenses. Colombo thought that the footage showed off the slight difference in dynamic range between the cameras, with the Canon C500 Mark II doing a better job with a bit more details in the shadows. Exceptions so far: BMPCC6K using BRAW 3:1 and Panasonic S1 (using ProRes HQ via an external recorder) which retain a usable image at 4 stops under. EF to PL mount (PM-V1) 3. Would love to see the latest and greatest Arri results as that should be the gold standard. This day had finally arrived when the Canon C500 Mark II was available in the cinema5D headquarters earlier this year. Test Lab is my favorite series of Cinema5D : ) I’ll be vary curious to see how the C500 mk II 6K sensor stacks up with the 1D X mk III 5.5K sensor. Deux logements de carte CFexpress. Having tested now various mirrorless full-frame cameras for the last 2 years in our cinema5D lab, I was really curious to put a “real” cinema camera with a full-frame sensor through the paces one day. Canon EOS C500 Mark II. Still almost perfect. Will it take the crown in our lab tests? 1: IMATEST dynamic range result for the Canon C500 Mark II at 25fps, UHD, 10bit XF-AVC codec (CLOG2 / C.Gamut) at ISO 800 The waveform of the Xyla21 stepchart confirms this: Fig. You mean something like this https://www.slashcam.de/4K-Kamera-Vergleich.html, Hi Nick.We are working on this. We only send updates about our most relevant articles. Using the Canon EOS C500 Mark II instead of the larger EOS C700 FF also meant the camera could be rigged up with monitors and follow-focus rigs, or stripped back to make it as light and compact as possible for use on a drone or gimbal. Canon C500 Mark II Lab Test: Dynamic Range, Latitude and Rolling Shutter April 15 th, 2020 fiber_manual_recordGunther Machu 30. The C500 Mark II clearly sets the benchmark for 2020 so far in our testing using a 6K Full frame sensor. The Canon C500 Mark II. Very usable still. It depends on the lenses you are going to use it with. +1 for Ryan and FX9. by Sebastian Wöber. Fig. Follow. Browse more videos. and could never get clips as noise free in Resolve or Final Cut Pro without losing detail as the built in H.265/H.264 files. Which led me to think – does all in camera noise reduction inherently look better than using a NLE program since the NR algorithm is searching for a specific fixed noise pattern from a sensor’s circuitry versus a universal one? Is it more close to the C200, C500 Mark III or is it an upgraded version of the mighty C300 mark II? 7:00. 4K 4:2:2 10 bits. So without further delay lets jump right into the lab test …. It’s frustrating to have what would otherwise be the right camera for my needs hobbled by the use of EF or PL mounts rather than the much more versatile and future-proof RF mount. Découvrez le Canon EOS C500 Mark II, le système Cinema EOS nouvelle génération équipé d'un capteur plein format 5,9K. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, MTF Services Converts SIRUI 50mm and 35mm Anamorphic Lenses to L-Mount, TDM Audio Pro UVC Case Disinfects Your Microphones, GoPro Karma Drone - Controller Pairing Issues, Boris FX Mocha Pro 2021 adds PowerMesh Tracking, MZed Course Review – The Art & Technique of Film Editing with Tom Cross, Panasonic LUMIX BGH1 First Look Review & Mini Documentary, Astera NYX Review - The Quest for the Perfect Cinema Lightbulb, https://www.slashcam.de/4K-Kamera-Vergleich.html. Published By: CineD - Wednesday, 15 April, 2020, Canon C500 Mark II Lab Test: Dynamic Range, Latitude and Rolling Shutter, Olympus Germany managers says the real fun will start now: PEN-F II still being considered, new Olympus branded cameras coming and focus is on video, Olympus Germany manager says the real fun will start now: PEN-F II still being considered, new Olympus branded cameras coming and focus is on video. Canon EOS R5 Overheating … You are right, we should try to get one of the latest Arri cameras in the lab. It would be nice to have a dedicated section where we can just go to and reference at any time. Is there an explanation on the difference between imatest and xyla ? Noise kicks in but it stays finely dispersed – using noise reduction in DaVinci Resolve (3 frames temporal, 5 threshold value and 4 spatial threshold) it cleans up very well. Should you opt for a locking mount? The dynamic range of the C500 Mark II using the internal 10bit XF-AVC codec at UHD 25fps using Canon Log2 / C.Gamut (Color Matrix “Neutral”) shows a very strong 13.1 stops at a signal to noise ratio of 2, see figure 1 below (noise reduction “off”). La Canon EOS C500 Mark II est une caméra compacte et polyvalente équipée d’un capteur type plein format 5,9k et du processeur DIGIC DV 7. And of course we had to take an immediate “lab test” look at Canon’s latest Super 35 addition to their line of cinema cameras. Higher res would be useful for stability options in post and always wanting for better dynamic resolution. So without further delay lets jump right into the lab test … Dynamic Range Result of the Canon C500 Mark II at ISO 800 Please have a look at how we test dynamic range of cameras here. For full frame sensors we haven’t seen a value below 20ms yet, 22ms was quite good already (e.g.

canon c500 mark ii dynamic range test

Dunlop Tennis T Shirts, Best Competition Offset Smoker, Fender Telecaster Pickguard Humbucker, Anpanman Toy Car, What Did The Rich Eat In Medieval Times, Ge Washer Lid Won't Lock,